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Film
Netflix's Hit Man is what we used to call 'a good time at the movies' – but times have changed

Netflix's Hit Man is what we used to call 'a good time at the movies' – but times have changed
Richard Linklater's latest debunks the myth of assassins for hire while piling on the black comedy
The Garfield Movie review – we're not feline the tubby orange tabby's full CGI makeover

The Garfield Movie review – we're not feline the tubby orange tabby's full CGI makeover
Origin review – a genuine, often unsettling cinema outlier

Origin review – a genuine, often unsettling cinema outlier
Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss
Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss
Dune: Part Two review – deluxe space opera with a discreet safety net
Dune: Part Two review – deluxe space opera with a discreet safety net
American Fiction review – a satirical take on novel writing with Jeffrey Wright

American Fiction review – a satirical take on novel writing with Jeffrey Wright
The Holdovers review – a film of well-turned wit and emotional warmth

The Holdovers review – a film of well-turned wit and emotional warmth
Emma Stone's new film Poor Things is a fantastical discovery of mind, body and world

Emma Stone's new film Poor Things is a fantastical discovery of mind, body and world
How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine

How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine
Napoleon review – a man at war with the world and himself

Napoleon review – a man at war with the world and himself
Typist Artist Pirate King review – a warm-hearted, clear-eyed tribute to a neglected artist

Typist Artist Pirate King review – a warm-hearted, clear-eyed tribute to a neglected artist
Retribution review – another Liam Neeson action vehicle fresh from the production line

Retribution review – another Liam Neeson action vehicle fresh from the production line
BlackBerry review – the ruthlessness and farce of big business

BlackBerry review – the ruthlessness and farce of big business
The Creator: Could AI have generated Gareth Edwards' gorgeous new sci-fi blockbuster?

The Creator: Could AI have generated Gareth Edwards' gorgeous new sci-fi blockbuster?
No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police

No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Peter Crouch: 'It felt like the whole world was ridiculing me'

Peter Crouch: 'It felt like the whole world was ridiculing me'
A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
The Wicker Man at 50: Woozy, semi-surreal and hugely influential

The Wicker Man at 50: Woozy, semi-surreal and hugely influential
Can Spider-Man: Across the Spider-Verse save us from multiverse fatigue?

Can Spider-Man: Across the Spider-Verse save us from multiverse fatigue?
The Mother sees Jennifer Lopez take the well-worn path from A-list to badass babe
